Copyright Essay Example | Topics and Well Written Essays - 500 words - 1

Copyright - Essay Example This framework permits the likely sharing of copyrighted materials, which can offer ascent to copyright encroachment. Copyright encroachment, under the US laws, is the replicating or significant generation of materials that are secured by the copyright law (Miller and Jentz 2007 155). A gathering of music organizations drove by A&M Records, Inc. brought an activity against Napster for copyright infringement, with starter order, in the District Court for the Northern District of California. In 2000, Judge Marilyn Patel in like manner gave a fundamental directive against Napster charging the last from â€Å"engaging in or encouraging others in replicating, downloading, transferring, transmitting or conveying plaintiff’s copyrighted† (A&M Records, Inc. v Napster, Inc. 2000 114 F Supp. 2d 896) materials. The request was bid by Napster to the Ninth Circuit, which notwithstanding, continued the request yet remanding it to the lower court for refinement taking note of that it was excessively wide. In arriving at its choice, the Ninth Circuit needed to settle on the benefits of the contentions of the litigants, with regards to itself and its clients. The contentions of respondent Napster fixated on the suggested resistance allowed under the Audio Home Recording Act of 1992 (AHRA) and the special case gave under the reasonable use convention.

Food as a Metaphor for Unexpressed Emotions in Like Water for Chocolate

Food as a Metaphor for Unexpressed Emotions in Like Water for Chocolateâ â â â â â â â Â An abused soul discovers intends to escape through the readiness of food in the novel, Like Water for Chocolate (1992). Composed by Laura Esquivel, the story is set in progressive Mexico when the new century rolled over. Tita, the youthful courageous woman, is living on her family’s farm with her two more seasoned sisters, her domineering mother, and Nacha, the family cook and Tita’s proxy mother. At an exceptionally youthful age, Tita is imparted with a profound love for food for Tita, the delight of living was enveloped with the joys of food (7). The unexpected demise of Tita's dad, left Tita's mom cannot nurture the baby Tita because of stun and melancholy. In this way Nacha, who [knows] everything about cooking (6) offers to accept the accountability of taking care of and thinking about the youthful Tita. From that day on, Tita's space was the kitchen (7). All through the novel, food is utilized as a steady similitude for the serious sentiments and feelings Tita is compelled to disguise. The story starts with Tita enthusiastically enamored with Pedro Muzquiz and he with her. She could always remember the second their hands incidentally contacted as the two of them gradually bowed down to get a similar plate (18). Their sentiment is reviled from the beginning, in any case, due to an old family custom, expressing that the most youthful little girl must stay unmarried and care for the mother insofar as either may live. Pedro, uninformed of the convention, goes to the farm to ask Tita's mom, Mama Elena, for Tita's hand. Mother Elena tells Tita, On the off chance that he plans to request your hand, instruct him not to trouble. Heã ­ll be burning through his time and mine, as well. You realize superbly well that being the most youthful little girl implies you need to take vehicle... ... other, and [make] distraught enthusiastic love any place they happened to wind up (242). In contrast to the principal wedding, Tita too is tainted with the amazing charm of the food. Without precedent for their lives, Tita and Pedro had intercourse unreservedly (243). The tale closes with both Pedro and Tita, defeat with joy and feeling, kicking the bucket in one another arms. Allegories are useful assets regularly utilized by creators to convey a more profound significance. Analogies additionally will in general make the piece more provocative, and in this way all the more fascinating and charming. Laura Esquivel makes a radiant showing of utilizing food as a representation for unexpressed feelings in the novel Like Water for Chocolate. She takes the throbbing soul of a little youngster and transforms it into a cookbook of sentiments and feelings keenly masked with food. Work Cited Esquivel, Laura. Like Water for Chocolate. Doubleday, 1992.

The Fellowship Search The Rule of Two COLUMBIA UNIVERSITY - SIPA Admissions Blog

The Fellowship Search The Rule of Two COLUMBIA UNIVERSITY - SIPA Admissions Blog I remember in college I was always told that for every hour spent in class, I should expect to spend two hours outside of class studying.   I believe that a similar maxim applies to the search for funding to help pay for graduate school.   My belief is that for every hour you spend working on an admission application for graduate school, you should spend at least 2 times the amount of time looking for fellowships. At first this might seem like a very strange thing for me to say so let me provide some background.   First off, most professional schools like SIPA do provide fellowship funding, but nowhere near the amount that would cover all educationally related costs.   Our program is full-time and you need to pay for tuition, books, rent, food, travel, etc. I believe that some people apply for graduate school and count on fellowship aid from the school being available.   While it is true that approximately 70% of eligible second year students at SIPA receive fellowship funding, only approximately 10-15 % of first year students receive SIPA fellowship funding. For many who are admitted without SIPA fellowship funding, the confounding question of how to pay for everything comes up almost immediately.   The good news is that there is evidence that many SIPA applicants are looking for external fellowship funding.   This is evidenced by the fact that each year for the past few years students have brought in close to $5 million total in outside scholarships, fellowships, and grants.   This does not come without a price and that price is time and effort looking for funding. So lets break down an estimate of how many hours go into the application process.   Part 1 of the application process is pretty simple, fill out the online application and submit it, about 30-45 minutes, but lets round up to 1 hour.   You also have to contact those that will be writing letters of recommendation for you, lets say 20 minutes per for a total of 1 hour.   So 2 hours on Part 1. Part 2 is a bit more complex and these are only estimates to get a ballpark figure.   The two required résumés will probably take around 3 hours.   The personal statement is hard to gauge but by the time you are done, three hours is probably a good minimum.   Lets give getting your transcripts in order and uploaded 1 hour.   Finally there are test scores.   This is a toughie because the time spent studying for these exams can be excessive.   Everyone is different, but lets give it a nice round figure of 10 hours for calculation purposes.   So what do we have . . . 1 Hour on the Application 1 Hour on contacting those who will write letters of recommendation 3 Hours on résumé preparation 3 Hours on your personal statement 1 Hour ordering and scanning transcripts for upload 10 Hours on test taking and preparation That puts you at around 19 hours of preparation that go into the application process.   Lets round up and call it 20 hours. Thus my belief is that you should spend a minimum of 40 hours looking for and applying for fellowship opportunities.   How do you do this?   There is no one right answer, sometimes we find out about opportunities by happenstance.   However you can improve your chances by engaging in the following: •  Check out SIPA’s own fellowship database. We search for scholarships for you and post them to the database.   The database is not SIPA specific.   As we search for and hear about funding, we make the information available to you. •  Use RSS  technology to deliver news to your email account or RSS Reader.   RSS allows for news to be delivered to you without having to go look for it every day.   As an example, Gmail accounts have something called the “Alert” tool and I am sure other providers have the same capability.   All you have to do is put in text for searches and a search engine will perform the searches daily  and deliver news to your email account.   You can type in search terms like “Graduate School Scholarships” or “International Affairs Scholarships.”   You can also utilize an RSS reader.   They are free and if you do not know what an RSS reader is, click here for a YouTube tutorial. •  Talk to people you know who have gone to graduate school and find out if they were able to find scholarship opportunities. •  Contact people who are willing to write you a letter of recommendation and have them make multiple copies of the recommendation letter and give them to you in sealed envelops so you are ready if a scholarship opportunity arises and there is a tight deadline. • Speak with people at your undergraduate university alumni relations, career services, faculty members, etc. • Talk to the organization you work for to find out if they sponsor students or have grants for furthering your education. In summary, dont let the funding issue sneak up on you.   Spend adequate time searching for funding sources and to help make your graduate dream a reality.

Music Affecting the Memory of Alzheimer’s Patients

Alzheimer’s disease is the 6th leading cause of death in the United States (Help End Alzheimers.). It is a common form of dementia categorized by a progressive decline in cognitive function (Simmons-Stern, 2010). According to the Alzheimer’s Association, â€Å"More than 500,000 seniors die each year because they have Alzheimers disease†. Therefore Alzheimer’s disease kills more people than prostate and breast cancer together (Help End Alzheimers.) Although there is no cure or treatment to slow the progression of Alzheimers disease it can be treated with medication, memory activities, and music therapy. The main classification of medication that is used for Alzheimer disease is Cholinesterase inhibitors. A noninvasive and inexpensive†¦show more content†¦A music therapy intervention was done on 17 Alzheimer’s patients and 11 had shown less agitation after music therapy (Witzke, 2008). Typically if an Alzheimer’s patient was agitate d, facilities would give medications or place them in physical restraints. On the other hand, using musical therapy is non detrimental and simple. Encourages reminiscing Patients with Alzheimer disease do not have the ability to remember facts and details but they do have the ability to remember long term things. Simply by hearing their favorite song can evoke a memory of an important life event or person. Listening to certain song may bring up different emotions. For example listening to a sad song might evoke the memory of the death of their spouse. Or listening to their favorite childhood song might evoke the memory of the fun childhood and vice versa. It is cost effective The amount to run this program in an elderly care facility is about $2,000. This price includes the webinar certification and equipment. This price also includes, â€Å"15 iPods, 15 headphones, 15 AC adapters, and iTunes gift card† (Help End Alzheimer’s). Non- profit establishments will receive a $600 grant to pay for equipment cost (Help End Alzheimer’s). The patient will not have to pay anything for this service. This is very cheap compared to other programs for Alzheimer’s patients, such as day centers. For an Alzheimer patient to stay at a day center it is around $150 dollars per day (Adult Day Care).Show MoreRelatedChildhood Memories And Its Effects On Our Lives1173 Words   |  5 PagesWe each have memories, both from long ago and recent times, that we hold dear to us. Memories get us through the hard days and keep us chipper in the good ones. The past is what makes us who we are. It shapes how we act, how we treat others, and simply just what we do on a day to day basis. Memories are the little things that keep this world running smoothly. Imagine what it would be like to lose those memories. What if you were to forget things to the point you were losing your functionality?Read MoreMusic : Music And Brain Development1112 Words   |  5 PagesMusic and Brain Development Brenen E. Dapkiewicz Music and Brain Development Start by speaking the ABC’s. Within that process I have a decent feeling they were vocalized in song form; more than likely it sounded like Twinkle Twinkle. A well known melody from birth. Hearing music everywhere, tuned into our favorite station on the radio, throughout stores in the mall, or even the drumming to the tempo of the car’s turn signal in front of ours. As individuals, we have developed over time the senseRead MoreA Research Study On Alzheimer s Disease1339 Words   |  6 PagesDementia is another term for memory loss and there are a couple types of dementia. This research paper is about Alzheimer s Disease (AD) which is a specific type of dementia that is closely related to aging. AD accounts for 50 to 80 percent of dementia cases. AD usually affects people 65 and older, but it can start in rare cases around 40 to 50. 5.3 million people in America have been diagnosed with AD, and almost two thirds of the population that has been diagnosed are women (Alzh eimer s AssociationRead MoreSymptoms And Treatment Of Alzheimer s Disease2254 Words   |  10 Pagesfor the most part that is. There are many people living in this world with a disease called Alzheimer’s, which is a very deadly and mysterious disease. Alzheimer’s is a type of Dementia that causes problems with memory, thinking and behavior. This disease is a progressive cognitive disorder that deteriorates brain cells eventually to the point of destroying them. This kind of deterioration leads to memory loss as well as alterations in thinking and other brain functions. It usually starts slowlyRead MoreThe Memory Care Unit At The Friend s Home1414 Words   |  6 PagesFriend’s Home Resident On the memory care unit at the Friend’s Home in Greensboro, I cared for a resident who is a 97-year-old female who has Alzheimer’s disease without behavioral disturbances and a history of depression with anxiety. She had resided in the assisted living apartments at the Friend’s Home, until she had a decline in her mental health that threatened her safety. She was then moved to the memory care unit and has been here for over six years. During my time with her, she has beenRead MoreThe Issue Of Memory Loss1397 Words   |  6 PagesThe Issue of Memory Loss in Relation to Healthy Aging The following paper is an academic discussion on the contemporary issue of memory loss in relation to healthy aging of older adults. Scholarly articles were used for references and facts relating to the topic. Memories constitute a vital part of life for everyone, and certain diseases that largely affect the older population can take those important moments away, leaving the elderly missing vital parts of their lives. The purpose of this paperRead MoreDementia Research Paper5756 Words   |  24 PagesUnderstanding Dementia and Alzheimers Disease Dealing with Dementia and the progression of Alzheimers disease through its three stages is often a daunting and distressing task. Most often relatives feel isolated and without help as if they were to be left alone, having no help to deal with the unknown. They are also afraid of having to watch their loved ones become more and more distant, potentially losing a horrible battle with this disease. In order to help with this fear of the unknownRead MoreProfessionals To Distinguish The Influence Of Intrinsic999 Words   |  4 Pagesprofessionals to distinguish the influence of intrinsic and extrinsic factors on the individuals, which is an effective use of therapeutic self. Goldman et al. (2004) describe complete AD interventions should provide supportive care to the patient and caregivers, promote independence, maintain body function and treat symptoms. Treatments can be briefly divided into cognition-, behaviour-, emotion- and stimulation-oriented approaches. For cognition-oriented intervention, an occupational therapistRead More Nursing Care Issues and the Frail Elderly: Dementia Essay1758 Words   |  8 Pagesconversation could not be helped. Two elderly patients were conversing, one was talking about experiences in World War II and the other was listening intently. When questioned as to what they were discussing and why, the answer received was one that surprised and saddened. The patient telling the story explained â€Å"Sometimes my friend forgets all about the past, so I sit here and tell my stories and then it helps my friend remember.† The other patient replied â€Å"that is right, there are days I justRead MoreUnderstand the Pro cess and Experience of Dementia2230 Words   |  9 Pagesneurodegenerative disease; that is, by conditions affecting only or primarily the neurons of the brain and causing gradual but irreversible loss of function of these cells. Less commonly, a non-degenerative condition may have secondary effects on brain cells, which may or may not be reversible if the condition is treated. The causes of dementia depend on the age at which symptoms begin. In the elderly population, a large majority of cases of dementia are caused by Alzheimers disease, vascular dementia or both

Analysis of Studs Terkels Book and the World of Work Essay

Many people in today’s society find themselves guilty of believing the common misconception that money can buy happiness. They go to school to become a doctor, lawyer, or other high paying job, with money and social status as their only incentives. Many will find that they have fallen into a trap, when they start earning their large salary, but still are not happy. While there were many messages present throughout Studs Terkels Working: a graphic adaptation, the most important reoccurring message seemed to be that having pride and dignity as well as working at a job that fulfills one’s life passion or is simply enjoyable are more important qualities than earning a large salary and having a high rank on the social ladder. The interaction of†¦show more content†¦Overall the monologue uses the text and visuals to portray the message that if a person has such a dreadful job and can’t stand going to work every day, he or she is going to be extremely unhappy. Another clear example that uses a connection between visuals and the text to illustrate that working a job merely for the money will not provide happiness is Beryl Simpson’s interview about being an airline reservationist. Beryl Simpson â€Å"hated it with a passion getting sick in the morning, going to work feeling ‘OH MY GOD! I’ve got to go to work’† (122). A visual shows her struggle of trying to get out of bed to go to a job that she hates. Her face looks wrinkled, worn down, and depressed (122). Beryl admits that when she was working for the airline she had a high status and â€Å"was always introduced as Beryl Simpson who works for the airline† (124). However this high status did not provide her with happiness. She felt as if she was a computer when she went to work and had no free-will. This repetitive work that she hated wore away at her, and even though it provided her with a salary and high status, she was not genuinely happy. In co ntrast to Brettr Hauser and Beryl Simpson’s interviews, John Fuller’s interview displays the message of the book in the opposite way. His voice and the overall tone are very positive, even though he is working a job that pays a very low salary. There are a lot of exclamation points in the text that help portray his enthusiasm

Francisco De Zubar N And His Work English Literature Essay Free Essays

Francisco de Zurbaran, a Spanish painter was born in Fuentes de Cantos, Badajoz Province in Estremadura and baptized on Nov. 7, 1598. His male parent was a comfortable tradesman of Basque descent. We will write a custom essay sample on Francisco De Zubar N And His Work English Literature Essay or any similar topic only for you Order Now In 1614, Zurbaran ‘s male parent sent him to Seville to apprentice for three old ages to a second-rate painter of images, Pedro Diaz de Villanueva. Zurbaran opened a workshop in Llerena in 1617 and married a adult female older than himself. She died after holding three kids. He was married once more to a widow in 1623. During his 11 old ages in Llerena, Zurbaran ‘s piousness was influenced by Spanish Quietism, which was a spiritual motion that taught inner backdown, the find of God in meekly submissive silence, and the usage of penitentiary exercisings to repress the senses and quiet the mind. Although this influence had a deep consequence on his art, it in no manner limited his artistic creative activities. The contracts for this period are so legion that he would hold been obliged to delegate many of them to helpers. In add-on, he was transposing to Seville to put to death plants for the Dominican, Trinitarian, Mercedarian, and Franciscan monasteries. In 1629, the Sevi lle Town Council persuaded Zurbaran to travel his workshop to their metropolis. He arrived with his married woman, kids, and eight retainers. The undermentioned twelvemonth the painters ‘ Guild of St. Luke ordered him to subject to an scrutiny and he refused. The town council ended up back uping him. His frequenters continued to be largely monasteries including the Capuchins, Carthusians, and Jeronymites were added to the list. In April 1634, the painter Diego Velazquez, who was in charge of the ornaments for the new Royal Palace in Madrid, commissioned Zurbaran to put to death for the Hall of Realms two conflict scenes, which were to belong to a series that included Velazquez ‘s Surrender of Breda, and 10 Labors of Hercules. Zurbaran returned to Seville in November with the honorary rubric of Painter to the King and the happy memory that Philip IV had called him the male monarch of painters. Zurbaran was at a extremum of creativeness and felicitousness in 1639, when his married woman died. His art production declined markedly and his manner became graver. He married for the 3rd clip, in 1644, but his artistic star was falling. Missing sufficient committees at place, Zurbaran was obliged to make the bulk of his plants for South America. With four more kids born of his new matrimony, he sold Flemish landscapes and pigments and coppices to the South American market. He continued to bring forth largely for South America until 1658, when he decided to seek to alter his fortune in Madrid. His art, nevertheless, was small apprehended at that place. Zurbaran died destitute in Madrid on August 27, 1664. Zurbaran ‘s work was really sophisticated with accurate pragmatism and indefinable mysticism. Zurbaran chose to be a painter of spiritual topics. His work was ever created big. Other effects are attained by the elaborate finished foregrounds which mass out mostly in visible radiation and shadiness. He was really adept in painting figures with curtain as shown in one of his works The Annunciation. He worked with oil pigments and most of his plants were spiritual scenes and portrayals. Two-thirdss of his plants were painted in the 1630 ‘s and the other 3rd is about every bit divided before and after that decennary. The Annunciation was painted in 1650 with oil on canvas. It measures about 85 inches tall and about one-hundred and 24 inches broad. â€Å" This Annunciation falls rather late in Zurbaran ‘s calling, when his simple and disconnected mold, dark to visible radiation, begins to soften and film over. His pallet becomes less blatant and more blended, while the about militaristic urgency of his earlier work is replaced by an familiarity and tenderness. The walls of the Virgin Mary ‘s room literally dissolve in a inundation of cherubs bathed in visible radiation, as the angel Gabriel with great heroism and discretion announces that she is with kid † says Joseph J. Rishel. Francisco de Zurbaran has a realistic manner shown in the picture. It features a room in which an angel is seen at the left kneeling on the land before the Virgin Mary. The figure of Mary is placed between a chair and a little wooden tabular array draped with a green fabric. Mary looks as though she is s urprised to be greeted by the angel although glancing at the floor. She disregards the unfastened Bible since she has been distracted. Behind and above the two figures are cherubs resting on beds of clouds merrily staring down at Mary with eyes from Heaven. Elementss such as visible radiation, colour, and texture are used in The Annunciation. Francisco de Zubaran does non demo a beginning of visible radiation in the picture, but we can see the light get downing from heaven with the cherubs and bit by bit gets darker to where the image about looks blurry on the lower left following to the angel. Light besides emphasizes the just tegument of the Angel and Mary as they both look down towards a shady floor. It reflects the unfastened Bible hinting on the sanctity and importance of Mary. Color draws attending to of import characters and objects in the picture. The ruddy and bluish Mary wears gives us a sense she is the chief focal point of the image since they are two different colourss in temperature and really concentrated. The bright yellow used indicates a celestial felicity or spirit such as how the dove is painted. The little soft silky texture used in this picture shows Zurbaran ‘s usage of pragmatism. The curtain looks about perfect compared to the remainder of the room. If the picture is looked at closely, you can see more symbolism such as a really weak xanthous visible radiation around Mary ‘s caput about like a aura which signifies her sanctity. The little xanthous dove at the top of the picture besides looks down at Mary and even gives a visible radiation pointed down at her caput. The cherubs and the angel are all smiling giving the image a joyful significance. You can besides see the flowers at the bottom right giving the painting an even more sense of softness, raising, and peace. The iconography of The Annunciation is shown how Zurbaran portrays the narrative of the Angel Gabriel looking earlier Mary to denote that God has chosen her to bare a boy, Jesus, who will salvage God ‘s people from their wickednesss. An anon. individual explains â€Å" Zurbaran besides idealizes Mary to stress her sanctity. Mary maintains a graceful airs even when she is frightened by the Angel ‘s intelligence. The room is besides au naturel and suggests Mary ‘s modestness. The Angel appears soft and the white colour of the angel shows the pureness of God ‘s courier. † Today, The Annunciation corsets at the Philadelphia Museum of Art as Francisco de Zurbaran continues to delight many with his endowments with the elements used in such an of import spiritual event. You can state he take to paint spiritual bible narratives with his really precise manner of painting the significance, symbolism, and great item. How to cite Francisco De Zubar N And His Work English Literature Essay, Essay examples

A revelation of love Essay Example For Students

A revelation of love Essay This is something typical of Medieval beliefs: we are reminded of Gawains pentangle with its five interlocking virtues, but Julian seems to take this further in that one image does not only exist alongside another, but one follows on from another in a chain of images and associations that traces the path from the physical to the spiritual, from bodily to gostly sight. The vision of the bleeding head prompts a response based in language from Julian: And as long as I saw this sight of the plentious bleding of the hede I might never stinte of these words: Benedicite domine! But it is the connection of the visual images that is so fascinating. She understands vi things from the shewing. The first is the toknys of the blissid passion and the plentious shedding of his pretious blood and having contemplated this moves to the maiden that is derworthy and moder, then the blissful Godhede. The images get progressively less physical moving from the visible mortal body of Christ to his mother who conceived immaculately, to God himself. The next three images dwell on the creations of God, that he hath made althing, that he made althing for love and that God is althing that is good. Julian begins with the physical seeing of the body of Christ, and uses this as a platform from which to meditate on aspects of God and his relationship with his communications that have nothing to do with the bodily or the physical. This is perhaps related to the way in which seeing itself was thought to work in the Middle Ages. Images from the eyes were believed to bombard the front part of the brain, the Common Sense, and then move to the Imagination, which impresses these images on the brain. To apply this to Julians vision, Christs bleeding body is in the Common Sense, and the subsequent connected images derive from the Imagination: the bodily sight leads to ghostly sight. At the same time as worshipping the mortal body of Christ, Julian is starkly aware of the frailty and insubstantiality of the human body. Her own bodily sight even prevents her from seeing the visions clearly enough: This I saw bodily, swemely and derkely, and I desired more bodily sight to have sene more clerely. But first bihoveth me to tellen you as anempt my febilnes, my wretchidnes and blindnes. Julian sees the body as weighing her down, holding her back from achieving true communion with God: we be so borne doun be weyte of our dedly flesh and derkhede of synne that we may not sen our lord God clerly in his faire blissful chere. Perhaps the limitation of the body that Julian feels most keenly is that of blindness, and this is due to the implicit connection in the Middle Ages and indeed today between seeing and knowing. Julian lived at a time when sight was the most important of the senses, and any act of seeing involved entering into a relationship with that which is seen. For Julian, looking at an image of Christ involves in some way letting Christ into her; by viewing his body in the passion she is entering a dialogue, becoming closer to him in a way that transcends words and follows an unbroken path between seeing, understanding and knowing. As well as the suffering body of Christ, Julian also imagines the body of Christ as nourishing and sustaining us in the way a mother suckles her child: The moder may geven hir child soken her mylke, but our pretious moder Iesus, he may feydn us with himselfe The moder may leyn the child tenderly to her brest but our tender moder Iesus, he may homely leden us into his blissid brest be his swete open syde, and shewyn therein partly of the Godhede and ioys of hevyn, with gostly sikernes of endless blisse This image of Christ as a mother with all its female and tender associations is another insight into the way in which the Medieval mind imagined the relationship between Christ and his people. .ub79e12f57850ed5ef617aa197da447dd , .ub79e12f57850ed5ef617aa197da447dd .postImageUrl , .ub79e12f57850ed5ef617aa197da447dd .centered-text-area { min-height: 80px; position: relative; } .ub79e12f57850ed5ef617aa197da447dd , .ub79e12f57850ed5ef617aa197da447dd:hover , .ub79e12f57850ed5ef617aa197da447dd:visited , .ub79e12f57850ed5ef617aa197da447dd:active { border:0!important; } .ub79e12f57850ed5ef617aa197da447dd .clearfix:after { content: ""; display: table; clear: both; } .ub79e12f57850ed5ef617aa197da447dd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ub79e12f57850ed5ef617aa197da447dd:active , .ub79e12f57850ed5ef617aa197da447dd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ub79e12f57850ed5ef617aa197da447dd .centered-text-area { width: 100%; position: relative ; } .ub79e12f57850ed5ef617aa197da447dd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ub79e12f57850ed5ef617aa197da447dd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ub79e12f57850ed5ef617aa197da447dd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ub79e12f57850ed5ef617aa197da447dd:hover .ctaButton { background-color: #34495E!important; } .ub79e12f57850ed5ef617aa197da447dd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ub79e12f57850ed5ef617aa197da447dd .ub79e12f57850ed5ef617aa197da447dd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ub79e12f57850ed5ef617aa197da447dd:after { content: ""; display: block; clear: both; } READ: The Lonely Characters in Of Mice and Men Of Mice and Men is set during the 1930s about the time of the American depression EssayChrists bleeding body during the passion was seen as in some way connected to the female body, which was seen as more open than the male body. The dividing and segmenting of Christs wounds isolated the swete open wound in his side as being specifically female, and the language here describes Christ as being almost pregnant in his encompassing of the Godhede and ioys of hevyn. For Julian there is a trinity of types of understanding: I beheld it as one in Gods menyng. All this was shewed by thre: that is to sey, be bodily sight and by word formyd in my understondyng and be gostly sight. Julian repeats this idea later on: All the blissid teching of our lord God was shewid be iii partes: that is to sey, be bodily syte, and by word foryd in myn understondyng, and be gostly syte. For the bodily seyte, I have seid as I saw as trewely as I can; and for the words, I have seid them rith as our lord shewid them to me; and for the gostly syte, I have seid sumdele, but I may never full tellen it, and therefore of this syte I am sterrid to sey more as God will give me grace. In this instance Julian seems to imply a hierarchy, with bodily sight the lowest or first of the levels of understanding, followed by word formed in my understanding and then gostly sight, which is seen as something god-given, perhaps stemming from the Holy Ghost. The relationship of these different kinds of sight to the body comes full circle through the depth of understanding allowed by gostly sight. So intense is the connection it creates, that the body reacts physically to reflect what it sees: for which paynys I saw that all is to litel that I can sey, for it may not be told. The which shewing of Cristes peynys filled me ful of payne. This physicality of communication with God is often described in terms of physical ecstasy, the blissful touching of the Holy Spirit . The experience of some Saints such as Teresa of Avila also reflect this sense of a definite union with God that, although located in the physical, transcends all bodily senses to reach a spiritual climax. Ultimately the writings of Julian of Norwich highlight the complexity of describing, whether through words or through images, the relationship between God and mortals. The body is represented as the word incarnate, as a feeble vessel for Gods love, as the focus and centre of Christs sacrifice for us and as the medium through which we can attempt to express our connection from that which is so far removed from the physical, yet which can affect us in extremely intense and physical ways. Sight can be a direct path from what we look at to what we understand, or it can be involved in a much more complicated system of seeing and not seeing, bodily sight and gostly blindness or vice versa. Julian can only put across these ideas through an imperfect medium, but one which she handles skilfully. Ultimately, the very process by which words are understood may act as a metaphor for the experience to which they relate. 4 1 Marion Glasscoe, Introduction to Julian of Norwich, A Revelation of Love 2 Marion Glasscoe, Introduction to Julian of Norwich, A Revelation of Love 3 Marion Glasscoe, Introduction, Julian of Norwich A Revelation of Love 4 Marion Glasscoe, Introduction to Julian of Norwich, A Revelation of Love.